Via een reeks flashbacks verkennen vier Chinese vrouwen geboren in Amerika en hun respectievelijke moeders geboren in het feodale China hun verleden.
Nee, helaas is The Joy Luck Club nog niet beschikbaar op Netflix in Nederland.
Camera | Phil Bray | Still Photographer |
Writing | Amy Tan | Screenplay |
Production | Wayne Wang | Producer |
Production | Risa Bramon Garcia | Casting |
Production | Patrick Markey | Producer |
Production | Ronald Bass | Producer |
Writing | Ronald Bass | Screenplay |
Production | Oliver Stone | Executive Producer |
Camera | Amir Mokri | Director of Photography |
Production | Heidi Levitt | Casting |
Production | Janet Yang | Executive Producer |
Production | Amy Tan | Producer |
Art | Jim Poynter | Set Decoration |
Directing | Wayne Wang | Director |
Sound | Rachel Portman | Original Music Composer |
Art | Diana Kunce | Art Direction |
Costume & Make-Up | Lydia Tanji | Costume Design |
Writing | Amy Tan | Writer |
Editing | Maysie Hoy | Editor |
Art | Donald Graham Burt | Production Design |
Sound | Matthew Iadarola | Sound Re-Recording Mixer |
Sound | Albert Gasser | Sound Effects Editor |
Sound | William H. Angarola | Sound Effects Editor |
Sound | Stephan R. Goldman | Music Supervisor |
Sound | Richard C. Franklin | Sound Effects Editor |
Sound | Bill Abbott | Music Editor |
Sound | Gary Gegan | Sound Re-Recording Mixer |
Directing | Leslie Park | Script Supervisor |
Sound | Bobby Mackston | Dialogue Editor |
Sound | Dan O'Connell | Foley Artist |
Sound | James Ashwill | Foley Mixer |
Sound | Lewis Goldstein | Dialogue Editor |
Sound | Charleen Richards-Steeves | ADR Mixer |
Sound | Eileen Horta | ADR Editor |
Sound | Kimberly Lambert | Dialogue Editor |
Sound | George Leong | Boom Operator |
Sound | Tony Cappelli | Foley Editor |
Sound | Gary A. Hecker | Foley Artist |
Sound | Curtis Choy | Sound Mixer |
Art | Josh Koral | Property Master |
Sound | Devon Heffley Curry | ADR Supervisor |
Camera | Amir Mokri | Camera Operator |