Claude Chavasse is een privé-detective die de amoureuze avonturen van een zekere Frank Flannagen onderzoekt. Hij ontmoet een bedrogen echtgenoot die wraak zweert en Frank wil neerschieten. Chavasse zijn dochter hoort dit en besluit Frank in te lichten.
Nee, helaas is Love in the Afternoon nog niet beschikbaar op Netflix in Nederland.
| Directing | Billy Wilder | Director |
| Writing | Billy Wilder | Screenplay |
| Art | Alexandre Trauner | Art Direction |
| Camera | William C. Mellor | Director of Photography |
| Costume & Make-Up | Jay A. Morley Jr. | Costume Design |
| Costume & Make-Up | Hubert de Givenchy | Costume Design |
| Camera | Harry L. Underwood | Camera Operator |
| Writing | I. A. L. Diamond | Screenplay |
| Writing | Claude Anet | Novel |
| Production | Billy Wilder | Producer |
| Editing | Léonide Azar | Editor |
| Art | Alexandre Trauner | Production Design |
| Production | William Schorr | Associate Producer |
| Production | Doane Harrison | Associate Producer |
| Directing | Paul Feyder | Assistant Director |
| Sound | Joseph de Bretagne | Sound Recordist |
| Sound | Del Harris | Sound Editor |
| Sound | Robert Tracy | Music Editor |
| Production | Lee Katz | Associate Producer |
| Editing | Chester W. Schaeffer | Editor |
| Art | Oliver Emert | Set Decoration |
| Costume & Make-Up | John G. Holden | Makeup Artist |
| Production | Edward Dodds | Production Manager |
| Directing | Paul Feyder | First Assistant Director |
| Directing | Noël Howard | Second Unit Director |
| Directing | Alain Boudet | Second Assistant Director |
| Directing | Ray Taylor Jr. | Assistant Director |
| Art | Maurice Barnathan | Set Dresser |
| Art | Auguste Capelier | Assistant Art Director |
| Directing | Lucie Lichtig | Script Supervisor |
| Directing | Winifred Gibson | Script Supervisor |
| Sound | Albert Sendrey | Orchestrator |
| Production | Christian Ferry | Location Manager |
