Film over Jake La Motta die terugkijkt op zijn carrière. In 1941 wilde hij meer bereiken en zich voorbereiden op zwaargewicht boksen. Hij stond bekend als een bokser die ongelofelijk gewelddadig was en daarom ook niet te stoppen was in de ring.
Nee, helaas is Raging Bull nog niet beschikbaar op Netflix in Nederland.
| Production | Robert Chartoff | Producer |
| Directing | Martin Scorsese | Director |
| Writing | Paul Schrader | Screenplay |
| Editing | Thelma Schoonmaker | Editor |
| Production | Irwin Winkler | Producer |
| Sound | Pietro Mascagni | Music |
| Camera | Michael Chapman | Director of Photography |
| Art | Phil Abramson | Set Decoration |
| Production | Cis Corman | Casting |
| Crew | Budd Schulberg | Thanks |
| Production | James D. Brubaker | Production Manager |
| Crew | Jimmy Nickerson | Stunt Coordinator |
| Crew | Ed Arter | Transportation Captain |
| Costume & Make-Up | Richard Bruno | Costume Design |
| Directing | Jerry Grandey | Assistant Director |
| Crew | Patrick Hogan | Driver |
| Camera | Brian Hamill | Still Photographer |
| Sound | Robbie Robertson | Additional Soundtrack |
| Sound | Frank E. Warner | Sound Effects Editor |
| Costume & Make-Up | Mary Keats | Hairstylist |
| Production | Donna Smith | Production Office Coordinator |
| Costume & Make-Up | Verne Caruso | Hairstylist |
| Costume & Make-Up | Jean Burt Reilly | Hairstylist |
| Costume & Make-Up | Marilyn Putnam | Costume Design |
| Costume & Make-Up | Andrea E. Weaver | Set Costumer |
| Editing | George Trirogoff | Editorial Services |
| Writing | Mardik Martin | Screenplay |
| Costume & Make-Up | Mona Orr | Hairstylist |
| Production | Christopher Cronyn | Location Manager |
| Writing | Jake LaMotta | Book |
| Costume & Make-Up | Allen Payne | Hairstylist |
| Crew | Steven Burnett | Stunts |
| Costume & Make-Up | Robert Iannaccone | Set Costumer |
| Production | Marty Eli Schwartz | Location Manager |
| Art | Carl Biddiscombe | Set Decoration |
| Directing | Henry J. Bronchtein | Other |
| Directing | Elie Cohn | Assistant Director |
| Production | Hal W. Polaire | Associate Producer |
| Crew | Bennie Moore | Stunts |
| Production | Michael Neale | Location Manager |
| Art | Frederic C. Weiler | Set Decoration |
| Crew | George Alden | Transportation Captain |
| Sound | Jim Henrikson | Music Editor |
| Production | Peter Savage | Associate Producer |
| Costume & Make-Up | Michael Westmore | Makeup Artist |
| Directing | Allan Wertheim | Assistant Director |
| Crew | Peter Savage | Additional Writing |
| Production | Marion Billings | Publicist |
| Art | Dan Perri | Title Designer |
| Directing | Joan Van Horn | Second Assistant Director |
| Editing | Donah Bassett | Negative Cutter |
| Sound | Walter A. Gest | Sound Recordist |
| Sound | Gary Ritchie | Sound Recordist |
| Art | Emily Ferry | Property Master |
| Art | Thomas Saccio | Property Master |
| Lighting | Richard Quinlan | Gaffer |
| Sound | Les Lazarowitz | Sound Mixer |
| Sound | Michael Evje | Sound Mixer |
| Directing | Hannah Scheel | Script Supervisor |
| Camera | Joe R. Marquette Jr. | Camera Operator |
| Camera | Edward Gold | Camera Operator |
| Camera | Christine M. Loss | Still Photographer |
| Camera | Dustin Blauvelt | First Assistant Camera |
| Camera | Eddie Ramirez | First Assistant Camera |
| Costume & Make-Up | Mike Maggi | Makeup Artist |
| Sound | Gary S. Gerlich | Sound Effects Editor |
| Sound | Chester Slomka | Sound Effects Editor |
| Art | Alan Manser | Art Direction |
| Art | Kirk Axtell | Art Direction |
| Art | Gene Rudolf | Production Design |
