Een jonge dokter in een Amerikaans ziekenhuis beheert een krachtig medicijn dat in staat zou zijn om patiënten uit hun coma te laten ontwaken. Als de dokter een patiënt met het medicijn injecteert, gebeurt er iets vreemds. Het medicijn werkt, maar stelt de patiënt tegelijkertijd in staat om de lichamen van andere mensen over te nemen, om op deze manier wraak te nemen op de mensen die er voor hebben gezorgd dat hij in dit ziekenhuis is beland.
Nee, helaas is Red Mist nog niet beschikbaar op Netflix in Nederland.
| Directing | Paddy Breathnach | Director |
| Writing | Spence Wright | Writer |
| Production | Michael Kelly | Producer |
| Camera | Ruairí O'Brien | Director of Photography |
| Production | Gail Stevens | Casting |
| Costume & Make-Up | Hazel Webb-Crozier | Costume Design |
| Production | Mark Huffam | Producer |
| Production | Kelly Valentine Hendry | Casting |
| Art | David Craig | Production Design |
| Costume & Make-Up | Aisling Toner | Makeup Artist |
| Art | Kevin McCabe | Property Master |
| Art | Anna McCaughtry | Set Dresser |
| Art | Colin Holmes | Set Dresser |
| Lighting | Istvan Bolla | Gaffer |
| Costume & Make-Up | Stephen O'Rawe | Key Costumer |
| Costume & Make-Up | Susie Redfern | Prosthetic Makeup Artist |
| Art | Niall McEvoy | Art Department Assistant |
| Sound | Dave McMahon | Foley Recordist |
| Camera | Lynne Davison | Assistant Camera |
| Lighting | 'Kis Gromek' László Molnár | Best Boy Electric |
| Sound | David Walter | Music Programmer |
| Crew | Alan Crozier | Transportation Captain |
| Production | Katrina McBriarty | Assistant Production Coordinator |
| Art | Sharon Lock | Title Designer |
| Visual Effects | Mark Nelmes | Visual Effects Supervisor |
| Sound | Thayna McLaughlin | Sound Assistant |
| Sound | Mark Fitzpatrick | Foley Recordist |
| Sound | Paul Clarvis | Musician |
| Crew | Ryan Marshall | Transportation Captain |
| Visual Effects | Duncan Burbidge | Visual Effects Producer |
| Editing | Lisa Creaney | Assistant Editor |
| Sound | Peter Lindsay | Production Sound Mixer |
| Camera | Mark L. Cowden | Epk Camera Operator |
| Camera | Helen Sloan | Still Photographer |
| Visual Effects | Nick Morton | Special Effects Supervisor |
| Crew | Paul Jennings | Stunt Coordinator |
| Sound | Tim Harris | Musician |
| Sound | Ken Galvin | Sound Re-Recording Mixer |
| Sound | Becky Bentham | Music Supervisor |
| Visual Effects | Sean Danischevsky | Digital Compositor |
| Visual Effects | Steve Parsons | Digital Compositor |
| Editing | James Long | Digital Intermediate |
| Crew | Tom Partridge | Visual Effects Editor |
| Editing | Dermot Diskin | Editor |
| Sound | Nicola Quinn | Boom Operator |
| Sound | Alex Hudd | Dolby Consultant |
| Lighting | Norbert Csontos | Electrician |
| Camera | David McAnulty | Key Grip |
| Costume & Make-Up | Naomi Cripps | Makeup Artist |
| Sound | Dominic Weaver | Supervising Sound Editor |
| Costume & Make-Up | Kerry Gooding | Assistant Costume Designer |
| Sound | John Parricelli | Musician |
| Sound | Terry McDonald | Boom Operator |
| Camera | Ruth Woodside | Second Assistant Camera |
| Production | Michelle Burns | Assistant Production Coordinator |
| Editing | Esme Long | Digital Intermediate Producer |
| Sound | Pietro Dalmasso | Dialogue Editor |
| Sound | Stan Fiferman | Foley Artist |
| Sound | Paul Englishby | Conductor |
| Crew | Rowley Irlam | Stunts |
| Sound | Stephen Warbeck | Original Music Composer |
