Marnie Watson heeft celstraf gekregen toen ze haar eigen man, een politieman, heeft vermoord uit zelfverdediging. Maar Marnie wordt plotseling vervroegd vrijgelaten uit de gevangenis, aangezien ze met een elektronische band om haar been de rest van haar straf in haar eigen huis mag doorbrengen.
Nee, helaas is 100 Feet nog niet beschikbaar op Netflix in Nederland.
| Directing | Eric Red | Director |
| Writing | Eric Red | Writer |
| Production | Ed Elbert | Producer |
| Production | Jonathan Sanger | Producer |
| Costume & Make-Up | Bridget O'Neill | Makeup Department Head |
| Art | Judit Varga | Art Direction |
| Production | Nancy Foy | Casting |
| Editing | Anthony Redman | Editor |
| Camera | Ken Kelsch | Director of Photography |
| Art | Márton Ágh | Production Design |
| Production | Sarah Black | Producer |
| Production | Stephen L'Heureux | Producer |
| Lighting | Péter Sidló | Gaffer |
| Art | Richard Tenewitz | Construction Coordinator |
| Visual Effects | Matthew Gratzner | Visual Effects Supervisor |
| Crew | Zoltán Gulyás Kiss | Stunt Coordinator |
| Sound | Peter Michael Sullivan | Sound Re-Recording Mixer |
| Crew | Robert G. Willard | Special Effects Coordinator |
| Lighting | Brian Pryzpek | Gaffer |
| Crew | Rachael Weinzimer | Property Master |
| Sound | Tony Margulies | Foley |
| Sound | Lisa A. Arpino | Music Editor |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Visual Effects | David Sanger | Visual Effects Producer |
| Costume & Make-Up | Éva Vass | Costume Design |
| Sound | John Frizzell | Original Music Composer |
| Crew | Robert Chapin | Digital Supervisor |
| Production | Steven Schneider | Co-Executive Producer |
| Camera | István Gottmann | Assistant Camera |
| Art | Victor Littlejohn | Props |
| Camera | Rob Koch | First Assistant "A" Camera |
| Camera | Ákos Gulyás | Assistant Camera |
| Camera | Károly Kamerda | Assistant Camera |
| Camera | Attila Szücs | Dolly Grip |
| Lighting | Péter Pozsonyi | Electrician |
| Art | József Kiss | Construction Manager |
| Lighting | Chris Zizzo | Best Boy Electric |
| Camera | Zsolt Big Nagy | Epk Camera Operator |
| Camera | Gusztáv Kirsch | Focus Puller |
| Costume & Make-Up | Kelly Marazzi | Hairstylist |
| Costume & Make-Up | Shelby Saboy | Key Costumer |
| Camera | Vilmos Keszler | Grip |
| Costume & Make-Up | Tina LaSpina | Key Makeup Artist |
| Crew | Corey Helmer | Pyrotechnician |
| Camera | Liz Sales | Second Assistant "A" Camera |
| Visual Effects | Matt Kutcher | Special Effects Supervisor |
| Camera | Gábor Garai | Second Assistant Camera |
| Costume & Make-Up | Réka Görgényi | Makeup Artist |
| Costume & Make-Up | Veronika Szigeti | Key Costumer |
| Crew | Norbert Orosz | Pyrotechnician |
| Crew | Attila Török | Pyrotechnician |
| Costume & Make-Up | Paul Jones | Makeup Effects Designer |
| Crew | Ferenc Gombás | Pyrotechnician |
| Visual Effects | Ferenc Török | Pyrotechnic Supervisor |
| Production | Bryan Riley | Casting Associate |
| Production | Lee Genick | Extras Casting |
| Crew | Attila Vásári | Pyrotechnician |
| Costume & Make-Up | Melinda Domán | Assistant Costume Designer |
| Crew | Ferenc Hábetler | Pyrotechnician |
| Costume & Make-Up | Eileen Kastner-Delago | Makeup Artist |
| Crew | Michael Theurer | Digital Producer |
| Directing | Orsolya Vercz | Script Supervisor |
| Crew | Lori Freitag-Hild | Compositor |
| Editing | George Papuashvili | Additional Editor |
| Visual Effects | Jeffrey Jasper | Digital Compositor |
| Visual Effects | James Pastorius | Digital Compositor |
| Visual Effects | Llyr Tobias Johansen | Visual Effects Coordinator |
| Directing | Michelangelo Csaba Bolla | First Assistant Director |
| Visual Effects | Matt Kelly | Digital Compositor |
| Directing | Peter Pálka | First Assistant Director |
| Editing | Brian Beard | Digital Intermediate Editor |
| Editing | Dávid Jancsó | Assistant Editor |
| Editing | Benedek Kabán | Colorist |
| Editing | Michael Nouryeh | Associate Editor |
| Editing | Gilbert Carreras | Color Timer |
| Editing | Adam Hawkey | Digital Intermediate Colorist |
| Editing | Paul Allia | Colorist |
| Sound | Rick Norman | Sound Re-Recording Mixer |
