Een aantal jaar geleden kregen vijf vreemdelingen de opdracht om één nacht door te brengen in een groot en mysterieus huis. Dit evenement veranderde echter in een gruwelijke nachtmerrie. Een aantal jaar later zet een groep mensen hun leven op het spel om in het huis op zoek te gaan naar het standbeeld van Baphomet, een beeld dat miljoenen dollars waard is. Maar zodra zij de deuren van het huis op Haunted Hill achter zich dichtslaan, ontdekken ze in wat voor nachtmerrie ze terecht zijn gekomen.
Nee, helaas is Return to House on Haunted Hill nog niet beschikbaar op Netflix in Nederland.
| Production | Steve Richards | Producer |
| Directing | Víctor García | Director |
| Production | Jonathan Tzachor | Producer |
| Production | Joel Silver | Executive Producer |
| Writing | William Massa | Author |
| Production | Erik Olsen | Producer |
| Production | Roee Sharon Peled | Producer |
| Sound | Frederik Wiedmann | Original Music Composer |
| Editing | Robert Malina | Editor |
| Camera | Lorenzo Senatore | Director of Photography |
| Costume & Make-Up | Jasmina Vasileva | Costume Supervisor |
| Costume & Make-Up | Mariana Love | Makeup Artist |
| Sound | Hyesu Yang | Orchestrator |
| Crew | Ivo Peitchev | Second Unit Cinematographer |
| Production | Donald Paul Pemrick | Casting |
| Costume & Make-Up | Daniela Avramova | Hairstylist |
| Visual Effects | P.J. Foley | Visual Effects Coordinator |
| Camera | Anton Bakarski | Camera Operator |
| Camera | Veselin Gospodinov | Underwater Camera |
| Camera | Alexandra Bachvarova Trifonova | Still Photographer |
| Art | Nasko Vulev | Art Department Coordinator |
| Costume & Make-Up | Valentin Valov | Makeup Artist |
| Art | Angel Manov | Set Decoration |
| Art | Kess Bonnet | Production Design |
| Art | Emil Gigov | Art Department Coordinator |
| Production | Gillian Hawser | Casting |
| Crew | Tony Zhekov | Armorer |
| Camera | Simon Varsano | Still Photographer |
| Costume & Make-Up | Maria Stankovich | Hairstylist |
| Visual Effects | Roger Nall | Visual Effects Supervisor |
| Production | Dean E. Fronk | Casting |
| Directing | Mariana Popova | Script Supervisor |
| Crew | Mihail Krastev | Armorer |
| Costume & Make-Up | Tatyana 'Tita' Sleptsova | Hairstylist |
| Lighting | Konstantin Popov | Gaffer |
| Costume & Make-Up | Mariana Love | Key Hair Stylist |
| Art | Ivan Ranghelov | Set Decoration |
| Visual Effects | Joseph J. Lawson | Visual Effects |
| Sound | Paul Hackner | Dialogue Editor |
| Sound | Greg Ward | Dialogue Editor |
| Sound | Angela Hackner | Dialogue Editor |
| Sound | Andrew Twite | Dialogue Editor |
| Crew | Dan Roe | Post Production Assistant |
| Crew | George Danailov | Stunt Double |
| Crew | Kaloyan Georgiev | Stunt Double |
| Crew | Emil Markov | Stunts |
| Crew | Parvan Parvanov | Stunt Coordinator |
| Crew | Hristo Parvanov | Stunts |
| Crew | Valentin Stojanov | Stunts |
| Crew | Miroslav Petrov | Stunts |
| Crew | Emil Tonev | Stunts |
| Crew | Vasil Yordanov | Stunts |
| Crew | Todor Todorov | Stunts |
| Camera | Ivo Peitchev | Second Unit Director of Photography |
| Camera | Anton Bakarski | "A" Camera Operator |
| Directing | Todor Chapkanov | First Assistant Director |
| Directing | Jeff Shipman | First Assistant Director |
| Directing | Asya Chakarova | Second Assistant Director |
