Dorothy vlucht weg uit een kliniek waar ze shocktherapie zou krijgen, maar komt terecht in Oz, dat volledig in puin ligt.
Nee, helaas is Return to Oz nog niet beschikbaar op Netflix in Nederland.
| Production | Paul Maslansky | Producer |
| Production | Gary Kurtz | Executive Producer |
| Editing | Leslie Hodgson | Editor |
| Directing | Walter Murch | Director |
| Camera | David Watkin | Director of Photography |
| Writing | L. Frank Baum | Book |
| Writing | Walter Murch | Screenplay |
| Writing | Gill Dennis | Screenplay |
| Production | Colin Michael Kitchens | Associate Producer |
| Art | Norman Reynolds | Production Design |
| Production | Grania O'Shannon | Location Manager |
| Production | Marci Liroff | Casting |
| Lighting | Jim Dawes | Gaffer |
| Writing | Henry Selick | Storyboard |
| Directing | Michael Murray | Assistant Director |
| Visual Effects | John Stephenson | Mechanical Designer |
| Art | Michael Ford | Set Decoration |
| Art | Richard Holland | Draughtsman |
| Camera | Gordon Hayman | Camera Operator |
| Lighting | Maurice Gillett | Gaffer |
| Camera | Barry Peake | Still Photographer |
| Sound | Bill Rowe | Sound Re-Recording Mixer |
| Costume & Make-Up | Robin Grantham | Makeup Supervisor |
| Sound | Martin Evans | Sound Editor |
| Production | Jane Feinberg | Casting |
| Costume & Make-Up | Beryl Lerman | Makeup Artist |
| Costume & Make-Up | Patricia McDermott | Hair Department Head |
| Art | Peter Hancock | Property Master |
| Production | Philip Kohler | Unit Manager |
| Writing | Mike Ploog | Storyboard |
| Writing | Denis Rich | Storyboard |
| Visual Effects | Lyle Conway | Creature Design |
| Sound | Walter Nelson | Assistant Sound Editor |
| Sound | Herbert W. Spencer | Orchestrator |
| Production | Bruce Sharman | Executive In Charge Of Production |
| Production | Susie Figgis | Casting |
| Art | Fred Hole | Art Direction |
| Directing | Ian Hickinbotham | Second Assistant Director |
| Costume & Make-Up | Raymond Hughes | Costume Design |
| Sound | Geoff R. Brown | Assistant Sound Editor |
| Sound | Tony Morris | Assistant Sound Editor |
| Writing | Harley Jessup | Storyboard |
| Camera | Ken Worringham | Camera Operator |
| Directing | Kieron Phipps | Second Assistant Director |
| Sound | Stan Witt | Music Editor |
| Production | Mike Fenton | Casting |
| Art | Charles Bishop | Supervising Art Director |
| Directing | Ray Corbett | Assistant Director |
| Crew | Colin Skeaping | Stunt Coordinator |
| Camera | Richard Blanshard | Still Photographer |
| Costume & Make-Up | William McPhail | Assistant Costume Designer |
| Costume & Make-Up | Magdalen Gaffney | Makeup Artist |
| Crew | George Lucas | Thanks |
| Directing | Sally Jones | Continuity |
| Crew | Robert Watts | Thanks |
| Sound | Peter Musgrave | Sound Editor |
| Sound | Michael Hopkins | Sound Editor |
| Editing | Dan Farrell | Assistant Editor |
| Art | Reg Bream | Draughtsman |
| Camera | John Palmer | Camera Operator |
| Visual Effects | Will Vinton | Animation Director |
| Sound | David Shire | Original Music Composer |
| Costume & Make-Up | Paul Vachon | Wardrobe Supervisor |
| Crew | Andy Bradford | Stunts |
| Crew | Cheryl Brown | Stunt Double |
| Crew | Alison Lynn | Stunt Double |
| Crew | Gareth Milne | Stunts |
| Crew | Nicola Roche | Stunt Double |
| Crew | Tip Tipping | Stunts |
| Crew | Sarah White | Stunt Double |
| Crew | Elaine Ford | Stunts |
