Wanneer Reagan, een vijftienjarige sekswerker, haar groepshuis in East Oakland verlaat, wordt ze gedwongen het concept van het gezin opnieuw te definiëren in een onbekend landschap.
Nee, helaas is Reagan nog niet beschikbaar op Netflix in Nederland.
| Production | Angel Kristi Williams | Executive Producer |
| Costume & Make-Up | Madeline Paredes | Hairstylist |
| Camera | Carmen Delaney | Director of Photography |
| Editing | David Aristizabal | Editor |
| Costume & Make-Up | Madeline Paredes | Key Makeup Artist |
| Directing | Gavin Peretti | First Assistant Director |
| Sound | Kristen Hirlinger | Dialogue Editor |
| Production | Oby M. Okoye | Producer |
| Production | Kim Taylor-Coleman | Casting Director |
| Art | Isabelle de Laperouse | Production Design |
| Sound | Mathew Lucchesi | Sound Mixer |
| Writing | Elton Loud | Writer |
| Editing | Ted Craig | Digital Intermediate Producer |
| Camera | Devon Usher | Additional Grip |
| Directing | Christopher Cegielski | Director |
| Costume & Make-Up | Tiffany Maxwell | Costume Design |
| Sound | Erik Jourgensen | ADR Recordist |
| Production | Francisco Velasquez | Executive Producer |
| Art | Isabelle de Laperouse | Set Decoration |
| Camera | Jedi Gomez | Key Grip |
| Sound | Kendall Credi | Sound Effects Editor |
| Crew | Candice Burdette | Thanks |
| Sound | Xander Lott | Supervising Sound Editor |
| Sound | Hannah Parrott | Original Music Composer |
| Directing | Charlie Schmidlin | Second Assistant Director |
| Directing | Jessica Sheriff | Second Second Assistant Director |
| Crew | Jan Cortez-Soule | Thanks |
| Crew | Lindsey Danielle Fackler | Thanks |
| Editing | Trent Johnson | Colorist |
| Editing | Harry Yoon | Editorial Consultant |
| Crew | Rhonda Donoho | Thanks |
| Camera | Rafael Gomez | Assistant Camera |
| Sound | Erik Jourgensen | ADR Supervisor |
| Sound | Kyle Arzt | Sound Re-Recording Mixer |
| Production | Erica Leung | Production Assistant |
| Sound | Mathew Lucchesi | Boom Operator |
| Camera | Paul James | Best Boy Grip |
| Production | Kyrie Chalmers | Production Assistant |
| Crew | Dan Cooley | Thanks |
| Crew | Elton Loud | Transportation Coordinator |
| Lighting | Nico Navia | Gaffer |
| Crew | Kimberly N. Bennett | Thanks |
| Crew | Effie Brown | Thanks |
| Crew | Kimberly Daniels | Thanks |
| Directing | Silawn Lewis | Script Supervisor |
| Writing | Ruth Atkinson | Story Consultant |
| Production | Maraya Gibson | Production Coordinator |
| Camera | E.J. Moore | Still Photographer |
| Camera | Abel Zarate | Grip |
| Production | Ashley Chrisman | Art Department Production Assistant |
| Camera | René Vargas | Assistant Camera |
| Production | Michelle Adams | Casting Associate |
| Camera | David Aristizabal | Digital Imaging Technician |
| Art | Quincy Crosby | Graphic Designer |
| Production | Aleshka Ferrero | Production Assistant |
| Crew | Tamara Bryan | Thanks |
| Production | Dylan Gunaratne | Production Assistant |
| Production | Marisol Nava | Production Assistant |
| Sound | Nate Grady-Reitan | Sound Editor |
| Lighting | Adam Leene | Gaffer |
| Sound | Joshua Sheppar | Musician |
| Crew | Sean Cavanaugh | Thanks |
| Crew | Todd Saxon | Studio Teacher |
| Crew | Nana Matern | Thanks |
| Crew | John Pickens | Thanks |
| Crew | Amari Hatcher | Thanks |
| Crew | Alex O'Flinn | Thanks |
| Crew | Carmen M. Herlihy | Thanks |
| Crew | Erin Faulkner | Thanks |
| Crew | Barry Jenkins | Thanks |
| Crew | Reed Morano | Thanks |
| Crew | Philiane Phang | Thanks |
| Crew | Sameerah Luqmaan-Harris | Thanks |
| Crew | Eamonn Herlihy | Thanks |
| Crew | Jennifer Pickens | Thanks |
| Crew | Wilhemina Matern | Thanks |
| Crew | August Pickens | Thanks |
