De succesvolle maar neurotische producer van een nieuwszender Jane Craig wordt verliefd op de aantrekkelijke nieuwkomer en charmeur Tom Grunick. De laatste blijkt al gauw het prototype van de journalist te zijn die het nieuws brengt alsof het een grote entertainmentshow is. Ondanks haar weerzin tegen het gebrek aan ethiek en integriteit bij Tom wordt Jane verliefd op hem. Zij weet echter niet dat een andere collega en goede vriend, verslaggever Aaron Altman, op zijn beurt weer verliefd op haar is. Dit alles ontvouwt zich tegen de achtergrond van de bedrijvige nieuwsredactie van een zender in Washington, waar het draait om deadlines, kijkcijfers, populariteit en integriteit
Nee, helaas is Broadcast News nog niet beschikbaar op Netflix in Nederland.
| Directing | James L. Brooks | Director |
| Writing | James L. Brooks | Screenplay |
| Production | James L. Brooks | Producer |
| Production | Polly Platt | Executive Producer |
| Sound | Bill Conti | Original Music Composer |
| Camera | Michael Ballhaus | Director of Photography |
| Editing | Richard Marks | Editor |
| Production | Penney Finkelman Cox | Co-Producer |
| Production | Ellen Chenoweth | Casting |
| Art | Charles Rosen | Production Design |
| Costume & Make-Up | Molly Maginnis | Costume Design |
| Art | Jane Bogart | Set Decoration |
| Costume & Make-Up | Carl Fullerton | Makeup Artist |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Production | David V. Lester | Unit Production Manager |
| Directing | Mary Bailey | Script Supervisor |
| Production | Cynthia Streit | Production Coordinator |
| Camera | Kerry Hayes | Still Photographer |
| Lighting | John W. DeBlau | Gaffer |
| Crew | Jery Hewitt | Stunt Coordinator |
| Camera | Gábor Kövér | First Assistant Camera |
| Camera | David M. Dunlap | Camera Operator |
| Editing | Karen I. Stern | First Assistant Editor |
| Sound | Bob Badami | Music Editor |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Sound | Linda Whittlesey | Sound Effects Editor |
| Sound | Patrick Drummond | Sound Effects Editor |
| Sound | Robert Grieve | Supervising Sound Editor |
| Production | Susan Zirinsky | Associate Producer |
| Production | Kristi Zea | Associate Producer |
| Sound | Jacqueline Cristianini | Dialogue Editor |
| Sound | Thomas Causey | Sound Mixer |
| Art | Bruce J. Gfeller | Construction Coordinator |
| Crew | Anne Marie Stein | Unit Publicist |
| Sound | Frank Smathers | Dialogue Editor |
| Sound | Dave Kulczycki | Dialogue Editor |
| Sound | Beth Bergeron | Supervising ADR Editor |
| Sound | Jessica Gallavan | ADR Editor |
| Sound | Jeff Rosen | ADR Editor |
| Sound | Charleen Richards-Steeves | ADR Recordist |
| Sound | Cindy Marty | Foley Editor |
| Sound | Mark P. Stoeckinger | Foley Editor |
| Editing | Donah Bassett | Negative Cutter |
| Editing | Bob Hagans | Color Timer |
| Directing | Yudi Bennett | First Assistant Director |
| Directing | David Sardi | Second Assistant Director |
| Art | Mark Wade | Property Master |
| Art | Harold Fuhrman | Set Designer |
| Sound | Joseph F. Brennan | Boom Operator |
| Camera | Dennis Gamiello | Key Grip |
| Camera | John Lowry | Dolly Grip |
| Production | Stuart Neumann | Location Manager |
| Production | Peggy Pridemore | Location Assistant |
| Production | Barbara Harris | ADR Voice Casting |
| Art | Steve Callas | Construction Foreman |
| Lighting | Jerry DeBlau | Best Boy Electric |
