Boston 1691. Een warlock oftewel een mannelijke heks, wordt ter dood veroordeeld, maar ontsnapt op een magische wijze naar de toekomst, gevolgd door een heksenjager. De warlock is op zoek naar de drie delen van de duivelsbijbel, want hiermee kan hij het ontstaan van de wereld veranderen.
Nee, helaas is Warlock nog niet beschikbaar op Netflix in Nederland.
Directing | Steve Miner | Director |
Writing | David Twohy | Screenplay |
Production | Arnold Kopelson | Executive Producer |
Production | Steve Miner | Producer |
Production | Brian Yuzna | Executive Producer |
Sound | Jerry Goldsmith | Original Music Composer |
Camera | David Eggby | Director of Photography |
Editing | David Finfer | Editor |
Production | Michael Fottrell | Associate Producer |
Editing | Gary Burritt | Negative Cutter |
Production | Melissa Skoff | Casting |
Art | Roy Forge Smith | Production Design |
Art | Jon Gary Steele | Art Direction |
Art | Jennifer Williams | Set Decoration |
Costume & Make-Up | Louise Frogley | Costume Design |
Costume & Make-Up | Pat Gerhardt | Makeup Artist |
Costume & Make-Up | Carl Fullerton | Special Effects Makeup Artist |
Costume & Make-Up | Neal Martz | Special Effects Makeup Artist |
Costume & Make-Up | Leslie Ann Anderson | Hairstylist |
Costume & Make-Up | Peter Montagna | Assistant Makeup Artist |
Costume & Make-Up | Peter Montagna | Special Effects Makeup Artist |
Costume & Make-Up | Dan Platt | Special Effects Makeup Artist |
Costume & Make-Up | Tom Woodruff Jr. | Special Effects Makeup Artist |
Directing | David R. Ellis | Second Unit Director |
Sound | John Kwiatkowski | Sound Effects Editor |
Sound | Dane A. Davis | Supervising Sound Editor |
Sound | Lee Strosnider | Sound Mixer |
Sound | James M. Tanenbaum | Sound Mixer |
Sound | Todd Toon | Assistant Sound Editor |
Crew | Ken Pepiot | Special Effects Coordinator |
Crew | David R. Ellis | Stunt Coordinator |
Lighting | Robert Driskell | Gaffer |
Camera | Dylan Shephard | Key Grip |
Camera | Skip Cook | Dolly Grip |
Production | Michael Fottrell | Unit Production Manager |
Directing | Matt Earl Beesley | First Assistant Director |
Directing | Frank Capra III | Second Assistant Director |
Camera | Bruce M. Pasternack | Camera Operator |
Camera | Walt Lloyd | Camera Operator |
Camera | Randy Nolen | Steadicam Operator |
Sound | Ken Beauchene | Boom Operator |
Costume & Make-Up | Mary Law Weir | Costume Supervisor |
Art | Gary Wissner | Assistant Art Director |
Art | Theresa Pedemonte | Leadman |
Art | Edwin M. Brewer | Property Master |
Art | W. Wayne Walser | Construction Coordinator |
Visual Effects | Robert Habros | Visual Effects Supervisor |
Sound | John T. Reitz | Sound Re-Recording Mixer |
Sound | David E. Campbell | Sound Re-Recording Mixer |
Sound | Gregg Rudloff | Sound Re-Recording Mixer |
Sound | Ken Hall | Music Editor |
Sound | Thom 'Coach' Ehle | Dolby Consultant |
Production | Barbara Harris | ADR Voice Casting |
Sound | Tom Hammond | Foley Editor |
Sound | G.W. Brown | ADR Editor |
Sound | Kimberly Lowe Voigt | Dialogue Editor |
Sound | Randy Vandegrift | Dialogue Editor |
Editing | Tom Shaffer | Color Timer |
Crew | Eddie Lee Voelker | Transportation Coordinator |
Crew | Mario Simon | Transportation Captain |
Crew | Annie Ellis | Stunts |
Crew | Richard M. Ellis | Stunts |
Crew | John C. Meier | Stunts |
Crew | Jeffrey J. Dashnaw | Stunts |
Crew | Doc Duhame | Stunts |