Het is het jaar 2266. Na enkele jaren van ontwikkeling zijn de eerste vernietigingsprototypes klaar. Wanneer president Sheridan de resultaten onderzoekt, krijgt hij visioenen over een toekomstige Apocalyps. Sheridan's visioenen lijken werkelijkheid te worden wanneer de Drakh, de bondgenoten van de overwonnen Shadows, een offensief beginnen tegen de mensheid. Het is aan een nieuw team van ruimtekrijgers om met de Excalibur en Victory te voorkomen dat de visioenen van een Apocalypse uit zullen komen en de plannen van de Drakh te dwarsbomen.
Nee, helaas is Babylon 5: A Call to Arms nog niet beschikbaar op Netflix in Nederland.
| Production | Mark Paladini | Casting |
| Editing | Skip Robinson | Editor |
| Production | J. Michael Straczynski | Executive Producer |
| Sound | Evan H. Chen | Original Music Composer |
| Directing | Michael Vejar | Director |
| Production | John Copeland | Producer |
| Production | Fern Champion | Casting |
| Camera | John C. Flinn III | Director of Photography |
| Writing | J. Michael Straczynski | Screenplay |
| Production | Douglas Netter | Executive Producer |
| Costume & Make-Up | Kim M. Holly | Costume Supervisor |
| Art | Mark Walters | Art Direction |
| Art | Jason Howard | Set Decoration |
| Art | John Iacovelli | Production Design |
| Sound | Laura Kamper | Sound Effects Editor |
| Lighting | Nathaniel Roberts | Best Boy Electric |
| Crew | Tom Helmers | Supervising Animator |
| Sound | Harry Cohen | Sound Designer |
| Costume & Make-Up | Cinzia Zanetti | Makeup Artist |
| Sound | Tim Walston | Sound Effects Editor |
| Sound | Juan Peralta | Sound Re-Recording Mixer |
| Sound | Elisabeth Flaum | Sound Effects Editor |
| Crew | Kerry Rossall | Stunt Coordinator |
| Sound | Marshall Garlington | Sound Re-Recording Mixer |
| Lighting | Carlos M. Torres | Gaffer |
| Directing | Tracy Yates | Script Coordinator |
| Crew | Timothy M. Earls | Visual Effects Art Director |
| Directing | Kate Lewis | Script Supervisor |
| Costume & Make-Up | Kim M. Ferry | Hairstylist |
| Crew | Matthew W. Plummer | Scenic Artist |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Visual Effects | Steve R. Moore | Visual Effects Supervisor |
| Art | Curtis Laseter | Construction Coordinator |
| Camera | Peter B. Kowalski | Camera Operator |
| Crew | Harry Hendrickson | Supervising Animator |
| Sound | Dennis C. Salcedo | Boom Operator |
| Sound | Paul Curtis | Dialogue Editor |
| Art | Dark Hoffman | Property Master |
| Sound | John C. Stuver | Dialogue Editor |
| Sound | Don H. Matthews | Sound Mixer |
| Costume & Make-Up | Tegan Taylor | Hairstylist |
| Costume & Make-Up | John Vulich | Makeup Effects Designer |
| Production | Susan Corbin | Associate Producer |
| Visual Effects | Michael Del Genio | Special Effects Supervisor |
| Costume & Make-Up | Tegan Taylor | Makeup Artist |
| Directing | Douglas E. Wise | First Assistant Director |
| Production | Celeste Healy | Production Coordinator |
| Art | Luc Mayrand | Conceptual Design |
| Production | Skip Beaudine | Co-Producer |
| Camera | Chris Nagle | Key Grip |
| Camera | Charles Lantz | Dolly Grip |
| Costume & Make-Up | Linda Huse | Key Costumer |
| Editing | John Burrus | First Assistant Editor |
| Camera | Mike McEveety | First Assistant Camera |
| Editing | Jennifer Vejar | Assistant Editor |
| Costume & Make-Up | Gabriel De Cunto | Special Effects Makeup Artist |
| Costume & Make-Up | Jeffrey S. Farley | Makeup Supervisor |
| Costume & Make-Up | Mark Garbarino | Makeup Supervisor |
| Costume & Make-Up | Jerry Gergely | Special Effects Makeup Artist |
| Directing | David Fudge | Second Second Assistant Director |
| Directing | David McWhirter | Second Assistant Director |
| Sound | Michael Payne | Sound Supervisor |
| Production | Pam Oseransky | Post Production Coordinator |
