Een groep jonge vrouwen met dezelfde hobby, namelijk speleologie, gaat op onderzoek uit in een diepe grot. De vrouwen komen in de grot iets tegen wat ze liever nooit hadden gezien en moeten alles in het werk stellen om weer levend uit de grot te geraken.
Nee, helaas is The Descent nog niet beschikbaar op Netflix in Nederland.
| Production | Gail Stevens | Casting |
| Costume & Make-Up | Nancy Thompson | Costume Design |
| Sound | David Julyan | Original Music Composer |
| Production | Christian Colson | Producer |
| Editing | Jon Harris | Editor |
| Directing | Neil Marshall | Director |
| Production | William Davies | Casting |
| Camera | Sam McCurdy | Director of Photography |
| Crew | Maxine Whittaker | Stunt Double |
| Crew | Steve Griffin | Stunt Coordinator |
| Crew | Claire Alderton | Stunts |
| Crew | Siobhan Coughlan | Stunt Double |
| Crew | Kim McGarrity | Stunt Double |
| Directing | Jack Ravenscroft | First Assistant Director |
| Directing | Matt Carver | Second Assistant Director |
| Crew | Jeanette Haley | Post Production Supervisor |
| Production | Debbie Moore | Production Accountant |
| Camera | Sergio Bernuzzi | Key Grip |
| Production | Rachel James | Post Production Accountant |
| Costume & Make-Up | Jennifer Harty | Makeup Supervisor |
| Sound | Nick Thermes | Sound Mixer |
| Art | Simon Bowles | Production Design |
| Costume & Make-Up | Vickie Lang | Makeup Artist |
| Art | Lucy Moles | Construction Coordinator |
| Production | Jennifer Wynne | Production Manager |
| Art | Jason Knox-Johnston | Art Direction |
| Costume & Make-Up | Jo Hannford | Hairstylist |
| Visual Effects | Howard Watkins | Visual Effects Supervisor |
| Sound | Matthew Collinge | Supervising Sound Editor |
| Sound | Nigel Heath | Sound Re-Recording Mixer |
| Costume & Make-Up | Helen Ingham | Costume Supervisor |
| Sound | Michael Maroussas | Sound Effects Editor |
| Directing | Elizabeth West | Script Supervisor |
| Sound | Danny Sheehan | Supervising Sound Editor |
| Sound | Andrew Glen | Music Editor |
| Crew | Jim Dowdall | Stunt Coordinator |
| Sound | Emily Rogers Swanson | Music Editor |
| Crew | Yvette Dore | Unit Publicist |
| Visual Effects | Leigh Took | Visual Effects Supervisor |
| Art | Jon Marson | Greensman |
| Camera | Alex Bailey | Still Photographer |
| Camera | Amelia Troubridge | Still Photographer |
| Camera | John Taylor | Steadicam Operator |
| Art | Matt Curtis | Title Designer |
| Production | Ivana MacKinnon | Associate Producer |
| Art | Paul Bradburn | Dressing Prop |
| Writing | Neil Marshall | Writer |
| Production | Paul Smith | Executive Producer |
| Sound | Jacques Plante | ADR Supervisor |
| Sound | Clare Mahoney | Foley Artist |
| Art | Terry Woods | Property Master |
| Camera | Rodrigo Gutierrez | Second Unit Director of Photography |
| Crew | George Cottle | Stunt Double |
| Crew | George Cottle | Stunt Driver |
| Crew | Michael Byrch | Stunt Double |
| Directing | Paul Mason | Third Assistant Director |
| Production | Hannah Godwin | Production Coordinator |
| Camera | David McKay | Aerial Camera |
| Camera | Jon Garwes | Focus Puller |
| Camera | Phil Humphries | Clapper Loader |
| Camera | Matthew Waving | Camera Trainee |
| Camera | Ang Richards | Camera Trainee |
| Sound | Rob Prynne | ADR Editor |
| Sound | Paul Carter | Foley Editor |
| Sound | Jason Swanscott | Foley Artist |
| Sound | John Fewell | Foley Artist |
| Sound | Julie Ankerson | Foley Artist |
| Sound | Oliver Brierley | Sound Re-Recording Assistant |
| Visual Effects | John Rafique | Special Effects Supervisor |
| Crew | Andrew Robertson | Video Assist Operator |
| Production | Natalie Moore | Assistant Accountant |
| Production | Eddie Standish | Location Manager |
| Production | Derek Yeaman | Location Manager |
| Production | Donald McDonald | Location Assistant |
| Production | Mike Baldock | Unit Manager |
| Production | Luke Jackson | Unit Manager |
| Production | David Taylor | Unit Manager |
| Costume & Make-Up | Kate Laver | Costume Assistant |
| Costume & Make-Up | Vickie Lang | Makeup Supervisor |
| Art | Dean Clegg | Standby Art Director |
| Art | Harry Pain | Art Department Assistant |
| Visual Effects | Michael Kelm | Modeling |
| Art | Jim Cornish | Storyboard Artist |
| Costume & Make-Up | Stuart Conran | Prosthetic Makeup Artist |
| Costume & Make-Up | Conal Palmer | Prosthetic Makeup Artist |
| Costume & Make-Up | Robin Pritchard | Prosthetic Makeup Artist |
| Costume & Make-Up | Jacqueline Fowler | Prosthetic Makeup Artist |
| Costume & Make-Up | Neil Morrill | Prosthetic Makeup Artist |
| Costume & Make-Up | Stuart Sewell | Prosthetic Makeup Artist |
| Costume & Make-Up | Samia Wood | Prosthetics |
| Art | Simon Webber | Sculptor |
| Crew | Stuart Wishart | Animatronics Designer |
| Art | Zoe Smith | Property Buyer |
| Art | Billy Edwards | Standby Property Master |
| Art | Alfie Burgess | Standby Property Master |
| Art | Terry Stinson | Dressing Prop |
| Art | Jono Moles | Construction Manager |
| Art | Henry Jones | Construction Manager |
| Lighting | Graham Baker | Rigging Gaffer |
| Lighting | Andrew Taylor | Gaffer |
| Lighting | Tim Driscoll | Best Boy Electric |
| Lighting | Steve Slocombe | Best Boy Electric |
| Crew | Ross Grainger | Generator Operator |
| Lighting | Gareth Williams | Electrician |
| Lighting | Bob Milton | Electrician |
| Directing | Dan Winch | Second Unit First Assistant Director |
| Camera | John Heald | Grip |
| Camera | Tony Fabian | Grip |
| Camera | Alice Hobden | Clapper Loader |
| Camera | Kate Filby | Clapper Loader |
| Camera | Ralph Ramsden | Focus Puller |
| Camera | Ashley Bond | Focus Puller |
| Directing | Joanna Crow | First Assistant Director |
| Crew | Ray De-Haan | Stunt Double |
| Crew | Rob Hunt | Stunt Double |
| Crew | Lee Sheward | Stunt Double |
| Crew | Daz Parker | Stunt Double |
| Production | David Wheal | Casting Assistant |
| Editing | Jason Wheeler | Negative Cutter |
| Editing | Catriona Delbridge | First Assistant Editor |
