In 1971, naar aanleiding van de wereldpremière van Death in Venice, riep de Italiaanse regisseur Lucino Visconti zijn Tadzio uit tot de mooiste jongen ter wereld. Een schaduw die vandaag, 50 jaar later, op het leven van Björn Andrésen weegt.
Nee, helaas is Världens vackraste pojke nog niet beschikbaar op Netflix in Nederland.
| Camera | Erik Vallsten | Director of Photography |
| Production | Stina Gardell | Producer |
| Editing | Dino Jonsäter | Editor |
| Sound | Kristoffer Salting | Sound Designer |
| Sound | Brian Dyrby | Sound Designer |
| Editing | Hanna Lejonqvist | Editor |
| Editing | Kalle Lindberg | Additional Editing |
| Writing | Kristina Lindström | Writer |
| Sound | Jonas Goldmann | Sound |
| Sound | Kristoffer Salting | Sound Mixer |
| Editing | Charlotte Landelius | Additional Editing |
| Camera | Moa Lichtenstein | Additional Photography |
| Writing | Kristian Petri | Writer |
| Camera | Iván Blanco | Additional Photography |
| Sound | Brian Dyrby | Sound Mixer |
| Production | Sabine Bubeck-Paaz | Co-Producer |
| Production | Sam Trelje | Post Production Coordinator |
| Editing | Lars-Olof Lampers | Archival Footage Research |
| Production | Jonas Gardell | Co-Producer |
| Production | Frida Neema Järnbert | Production Coordinator |
| Production | Ann-Louice Dahlgren | Production Manager |
| Editing | Kristian Petri | Archival Footage Research |
| Production | Ingemar Persson | Co-Producer |
| Production | Stina Gardell | Unit Manager |
| Crew | Charlotte Hellström | Commissioning Editor |
| Production | Chika Yoshida | Researcher |
| Production | Jonas Goldmann | Post Production Producer |
| Crew | Magnus Limnell | Thanks |
| Crew | Miyuki Tamura | Thanks |
| Editing | Jonas Goldmann | Archival Footage Research |
| Editing | Kristina Lindström | Archival Footage Research |
| Production | Ulrika Yui | Production Coordinator |
| Editing | Stina Gardell | Archival Footage Coordinator |
| Editing | Miho Goto | Archival Footage Research |
| Production | Johan Nordström | Researcher |
| Crew | Ari Aster | Thanks |
| Visual Effects | Peter Karlsson | VFX Artist |
| Editing | Annike Andresen | Archival Footage Research |
| Editing | Frida Neema Järnbert | Archival Footage Research |
| Art | Martin Hultman | Graphic Designer |
| Editing | Ann-Louice Dahlgren | Archival Footage Research |
| Production | Sara Henriksson | Production Assistant |
| Production | Anette Mattsson | Co-Producer |
| Production | Ulrika Yui | Researcher |
| Crew | Nina Königs Hallberg | Thanks |
| Crew | Roy Andersson | Thanks |
| Crew | Anna Nilsdotter Strömholm | Thanks |
| Crew | Joakim Strömholm | Thanks |
| Sound | Lee Chung-gyu | Foley Artist |
| Production | Reiko Watanabe | Researcher |
| Editing | Jonas Goldmann | Online Editor |
| Crew | Jonathan Mair | Translator |
| Crew | Susanna Román | Thanks |
| Visual Effects | Evelina Åström | VFX Artist |
| Editing | Ola Bäccman | Digital Colorist |
| Editing | Lena Dahlberg-Runge | Consulting Editor |
| Editing | Mats Holmberg | Digital Colorist |
| Production | Pär Lindström | Controller |
| Crew | Jael Waern | Thanks |
| Crew | Jennie Kastberg | Legal Services |
| Directing | Kristina Lindström | Director |
| Directing | Kristian Petri | Director |
| Sound | Anna von Hausswolff | Music |
| Sound | Filip Leyman | Music |
