Tijdens een inbraak in het huis van een oude vrouw, wordt er per ongeluk een geest uit een eeuwenoude fles gelaten. De geest vermoordt de inbrekers en na het onderzoek wordt de lamp naar een museum gebracht. De geest neemt al gauw bezit van het lichaam van de dochter van de museumdirecteur en weet enkele van haar vrienden ervan te overtuigen een nacht in het museum door te brengen.
Nee, helaas is The Lamp nog niet beschikbaar op Netflix in Nederland.
| Directing | Tom Daley | Director |
| Writing | Warren Chaney | Writer |
| Production | Patricia Balderas | Production Coordinator |
| Camera | Scott Howell | Key Grip |
| Crew | John Blake | Makeup Effects |
| Camera | Herbert Raditschnig | Director of Photography |
| Art | John Frick | Set Decoration |
| Production | D.W. Chaney | Casting |
| Costume & Make-Up | Rona Lamont | Costume Design |
| Production | Mohammad Sanousi | Executive Producer |
| Art | Robert A. Burns | Production Design |
| Editing | Claudio M. Cutry | Editor |
| Crew | Brian Wade | Makeup Effects |
| Production | Fred T. Kuehnert | Executive Producer |
| Sound | Joel Rosenbaum | Original Music Composer |
| Production | Warren Chaney | Producer |
| Crew | Thomas Floutz | Makeup Effects |
| Crew | Bill Forsche | Makeup Effects |
| Production | Deborah Winters | Associate Producer |
| Sound | Bruce Miller | Original Music Composer |
| Costume & Make-Up | Thomas Floutz | Special Effects Makeup Artist |
| Directing | Warren Chaney | Second Unit Director |
| Sound | Steve Mann | Sound Designer |
| Crew | Christopher Swift | Special Effects Coordinator |
| Crew | David Sanders | Stunts |
| Lighting | Mark Wells | Gaffer |
| Production | Adam Chuck | Post Production Coordinator |
| Sound | Gary Firth | Music Coordinator |
| Costume & Make-Up | Bill Forsche | Special Effects Makeup Artist |
| Directing | Sanford Hampton | First Assistant Director |
| Art | Bill Forsche | Sculptor |
| Costume & Make-Up | Barbara Anne Bock | Special Effects Makeup Artist |
| Costume & Make-Up | Nichael Boggio | Special Effects Makeup Artist |
| Costume & Make-Up | Jim Gill | Special Effects Makeup Artist |
| Visual Effects | David L. Hewitt | Visual Effects Supervisor |
| Camera | Brown Cooper | First Assistant Camera |
| Camera | Scott Smith | Second Unit Director of Photography |
| Production | Waverly Evans | Production Coordinator |
| Sound | Frank McKelvey | Music Editor |
| Sound | Tim Himes | Sound Mixer |
| Sound | Bob Waller | Sound Mixer |
| Crew | Bettie Kauffman | Special Effects Coordinator |
| Visual Effects | Frank 'Paco' Munoz | Special Effects Supervisor |
| Camera | Claudia Bailey | Second Assistant Camera |
| Lighting | Robert Gray | Gaffer |
| Camera | Sean Maxwell | Dolly Grip |
| Camera | Ingo Raditschnig | Second Assistant Camera |
| Art | Larry Navarro | Production Illustrator |
| Sound | Duane Hensel | Assistant Foley Artist |
| Sound | Bob Waller | Boom Operator |
| Crew | Lesley Chaney | Special Effects Assistant |
| Costume & Make-Up | Richard Mayone | Special Effects Makeup Artist |
| Visual Effects | David Prentis | Rotoscoping Artist |
| Camera | Glenn Steward | Key Grip |
| Directing | Paula Barrett-Barbier | Script Supervisor |
| Directing | Beverly Wilson-Wilson | Second Assistant Director |
| Crew | Tom Hartigan | Special Effects Assistant |
| Lighting | Doug Sutton | Chief Lighting Technician |
| Directing | Kim Fusch | Second Unit First Assistant Director |
| Visual Effects | Frankie Inez | Special Effects Supervisor |
| Crew | Frankie Inez | Special Effects |
| Crew | Cherie Sanders | Stunts |
| Crew | Melissa Zoelle | Stand In |
| Costume & Make-Up | Brian Wade | Special Effects Makeup Artist |
| Production | Sanford Hampton | Production Manager |
| Art | Chuck Singleton | Construction Manager |
| Sound | Kim Fowler | Assistant Foley Artist |
| Sound | Don MacDougall | Sound Re-Recording Mixer |
| Sound | Cathie Speakman | Sound Editor |
| Costume & Make-Up | Bart Mixon | Special Effects Makeup Artist |
| Camera | Randy Nolen | Steadicam Operator |
| Costume & Make-Up | Ron Clark | Makeup & Hair |
| Art | Chris Meyer | Property Master |
| Costume & Make-Up | Paul Clemens | Special Effects Makeup Artist |
| Crew | Kevin Mazeika | Stunts |
| Production | Beverly Wilson-Wilson | Extras Casting |
| Editing | Chuck Weiss | Associate Editor |
| Sound | Kevin Hearst | Sound Editor |
| Costume & Make-Up | Steven Summerfield | Special Effects Makeup Artist |
| Crew | Curtis Herman | Stand In |
| Sound | John L. Mack | Sound Re-Recording Mixer |
| Sound | Richard Tyler | Sound Re-Recording Mixer |
| Costume & Make-Up | James McLoughlin | Special Effects Makeup Artist |
| Crew | Neil Summers | Stunt Coordinator |
| Camera | Roy Alan Wilson | Still Photographer |
| Lighting | Kevin Wadowski | Best Boy Lighting Technician |
| Crew | Jim Picciolo | Animal Wrangler |
| Costume & Make-Up | John Blake | Special Effects Makeup Artist |
| Costume & Make-Up | John Naulin | Special Effects Makeup Artist |
| Costume & Make-Up | Jack Bridwell | Special Effects Makeup Artist |
| Lighting | Richard Cromtom | Best Boy Electric |
| Costume & Make-Up | Rick Jones | Makeup & Hair |
| Directing | Matt Hinkley | First Assistant Director |
| Sound | Dan Hegeman | Sound Editor |
| Sound | Alan Holly | Foley Mixer |
| Sound | Earl Watson | Dialogue Editor |
| Crew | Maeve Crommie | Stunts |
| Camera | Michael Rothenberg | First Assistant Camera |
| Directing | Mark S. Thomas | Script Supervisor |
| Costume & Make-Up | Gabriel Bartalos | Special Effects Makeup Artist |
| Crew | Raymond Fielding | Visual Effects Design Consultant |
| Crew | David L. Hewitt | Visual Effects Design Consultant |
| Lighting | Dwight Cary | Best Boy Electric |
| Camera | Ralph Watson | Steadicam Operator |
| Crew | Dick Hancock | Stunts |
| Camera | Mike Gilles | Grip |
| Production | Beverly Wilson-Wilson | Production Assistant |
| Sound | Richard Marvin | Music Programmer |
| Crew | D.W. Chaney | Studio Teacher |
| Art | Drew Struzan | Art Designer |
