Iedereen gelooft dat het monster van Frankenstein is omgekomen tijdens de verwoestende brand in de molen. Maar het monster wist te ontsnappen en zwerft nog steeds rond in de buurt van het stadje. Dr. Frankenstein probeert zich intussen voor te bereiden op zijn huwelijk met Elizabeth. Deze plannen worden echter verstoord als Frankenstein bezoek krijgt van Dr. Pretorius, die geïnteresseerd is in Frankensteins technieken om leven te creëren. Pretorius stelt Frankenstein voor om een vrouw voor het monster te maken. Frankenstein weigert, maar Pretorius geeft niet snel op.
Nee, helaas is Bride of Frankenstein nog niet beschikbaar op Netflix in Nederland.
| Editing | Ted J. Kent | Editor |
| Camera | John J. Mescall | Director of Photography |
| Production | Carl Laemmle Jr. | Producer |
| Directing | James Whale | Director |
| Sound | Franz Waxman | Original Music Composer |
| Crew | John P. Fulton | Special Effects |
| Costume & Make-Up | Irma Kusely | Hairstylist |
| Sound | William Hedgcock | Sound Engineer |
| Costume & Make-Up | Otto Lederer | Assistant Makeup Artist |
| Sound | Gilbert Kurland | Sound Supervisor |
| Writing | Robert Florey | Story |
| Sound | Edwin Wetzel | Sound Effects Editor |
| Writing | Mary Shelley | Original Story |
| Writing | R.C. Sherriff | Adaptation |
| Writing | Lawrence G. Blochman | Adaptation |
| Costume & Make-Up | Otto Lederer | Makeup Trainee |
| Writing | Philip MacDonald | Adaptation |
| Crew | Tom Reed | Additional Writing |
| Camera | Alan Jones | Camera Operator |
| Costume & Make-Up | Irma Kusely | Hair Setup |
| Directing | Fred Frank | Assistant Director |
| Directing | Harry Mancke | Assistant Director |
| Directing | Joseph A. McDonough | Assistant Director |
| Crew | Ken Strickfaden | Special Effects Technician |
| Writing | Edmund Pearson | Screenplay |
| Visual Effects | David S. Horsley | Visual Effects |
| Camera | William Dodds | Assistant Camera |
| Writing | Josef Berne | Adaptation |
| Sound | Abe Meyer | Music Coordinator |
| Writing | Morton Covan | Adaptation |
| Visual Effects | Cleo E. Baker | Visual Effects |
| Sound | Larry Aicholtz | Scoring Mixer |
| Crew | David S. Horsley | Special Effects Assistant |
| Sound | Clifford Vaughan | Orchestrator |
| Crew | Monte Montague | Stand In |
| Crew | George DeNormand | Stand In |
| Sound | Oliver Wallace | Musician |
| Writing | Flo Brummel | Script Consultant |
| Art | Charles D. Hall | Art Direction |
| Costume & Make-Up | Vera West | Costume Design |
| Writing | William Hurlbut | Adaptation |
| Costume & Make-Up | Jack Pierce | Makeup Artist |
| Writing | John L. Balderston | Adaptation |
| Writing | William Hurlbut | Screenplay |
| Editing | Maurice Pivar | Supervising Film Editor |
| Crew | Peter Shaw | Stand In |
| Camera | Fred Stoll | Grip |
| Visual Effects | Jack Cosgrove | Matte Painter |
| Visual Effects | Russell Lawson | Matte Painter |
| Visual Effects | John P. Fulton | Visual Effects |
| Sound | Gilbert Kurland | Music Supervisor |
| Sound | Louis Kaufman | Musician |
| Sound | C. Bakaleinikoff | Conductor |
| Directing | Flo Brummel | Script Coordinator |
| Crew | Carl Laemmle | Presenter |
