John Hall accepteerd een baan accepteert in de oude textielfabriek van Gates Falls. Hij kan niet met de overheersende opzichter overweg. De relatie met Jane Wisconsky word door de jaloerse baas dan ook bestraft. John moet werken in de kelders van de fabriek. Alles lijkt tegen John, en over zijn op vreemde wijze overleden voorganger doen de raarste verhalen de ronde. Er worden zelfs weddenschappen afgesloten over de tijd dat John het tussen de ratten zal vol houden. De kelder is echter een onmetelijke diepte waarin een onbekend en niet menselijk groot gevaar schuilt...
Nee, helaas is Graveyard Shift nog niet beschikbaar op Netflix in Nederland.
| Directing | Ralph S. Singleton | Director |
| Writing | John Esposito | Screenplay |
| Crew | Greg Elam | Stunts |
| Production | Diane Foti | Unit Production Manager |
| Camera | Rusty Geller | Camera Operator |
| Sound | Jeffrey Blynder | Boom Operator |
| Sound | Howard Neiman | Foley Supervisor |
| Sound | Ron Bedrosian | ADR Engineer |
| Art | Gershon Ginsburg | Assistant Art Director |
| Camera | Beth Cotter | Second Assistant Camera |
| Crew | David Gaines | Post Production Supervisor |
| Sound | Richard Corwin | Dialogue Editor |
| Sound | Richard Corwin | ADR Editor |
| Sound | Grover B. Helsley | Sound Re-Recording Mixer |
| Camera | Toris Von Wolfe | Still Photographer |
| Production | William Hassell | Unit Production Manager |
| Art | Rhonda Hardwick | Assistant Set Decoration |
| Camera | Kent P. Hughes | Second Assistant Camera |
| Sound | Jon Johnson | Sound Effects |
| Sound | Harry Harris | Dialogue Editor |
| Directing | Barry K. Thomas | First Assistant Director |
| Sound | Hank Brodkin | ADR Editor |
| Sound | Jerry Trent | Foley Artist |
| Crew | Randy Fife | Stunt Coordinator |
| Directing | Mark Cotone | Second Assistant Director |
| Sound | Bernie Blynder | Sound Mixer |
| Sound | Harry Harris | ADR Editor |
| Sound | Doug E. Turner | Sound Re-Recording Mixer |
| Crew | Carl Ciarfalio | Stunts |
| Directing | Peter Chesney | Second Unit Director |
| Camera | Gary Baum | First Assistant Camera |
| Crew | Kerrie Cullen | Stunts |
| Editing | Karen Dale Greene | Assistant Editor |
| Sound | Howard Neiman | ADR Supervisor |
| Sound | Audrey Trent | Foley Artist |
| Directing | Lynne Twentyman | Script Supervisor |
| Crew | Cliff McLaughlin | Stunts |
| Editing | Amy Shorr | Assistant Editor |
| Crew | Michael Adams | Stunts |
| Sound | Frank A. Montaño | Sound Re-Recording Mixer |
| Directing | John G. Scotti | Second Unit First Assistant Director |
| Sound | Hank Brodkin | Dialogue Editor |
| Production | Laura Butterworth | Local Casting |
| Costume & Make-Up | Candy Walker | Hairstylist |
| Camera | Tony Cutrono | Second Unit Director of Photography |
| Costume & Make-Up | June Brickman | Key Makeup Artist |
| Costume & Make-Up | Donna King | Costumer |
| Costume & Make-Up | Karen Blynder | Makeup Artist |
| Costume & Make-Up | Angela Hajianis | Costumer |
| Sound | Anthony Marinelli | Original Music Composer |
| Sound | Brian Banks | Original Music Composer |
| Camera | Peter Stein | Director of Photography |
| Art | Jack Jennings | Art Direction |
| Art | Gary Wissner | Production Design |
| Editing | Randy Jon Morgan | Editor |
| Production | Ralph S. Singleton | Producer |
| Production | Sharon Bialy | Casting |
| Costume & Make-Up | Sarah Lemire | Costume Design |
| Production | Bonnie Sugar | Executive Producer |
| Editing | Jim Gross | Editor |
| Production | Mary Margiotta | Casting |
| Production | Larry Sugar | Executive Producer |
| Production | William J. Dunn | Producer |
| Production | Anthony Labonte | Associate Producer |
| Production | Joan Singleton | Associate Producer |
| Production | Richard Pagano | Casting |
| Art | George R. Nelson | Set Decoration |
| Writing | Stephen King | Short Story |
| Sound | Christopher Kennedy | Music Editor |
