De legendarische vampier Lestat is een rockster geworden en zijn muziek zorgt ervoor dat de 6000-jaar oude vampier Akasha ontwaakt. Ze wil wraak nemen op alle mannelijke vampiers die haar hebben gevolgd, en hoopt over de aarde te kunnen heersen met Lestat aan haar zijde.
Nee, helaas is Queen of the Damned nog niet beschikbaar op Netflix in Nederland.
| Production | Bruce Berman | Executive Producer |
| Sound | Richard Gibbs | Music |
| Camera | Ian Baker | Director of Photography |
| Writing | Michael Petroni | Screenplay |
| Production | Su Armstrong | Executive Producer |
| Writing | Scott Abbott | Screenplay |
| Production | Bill Gerber | Executive Producer |
| Editing | Dany Cooper | Editor |
| Production | Jorge Saralegui | Producer |
| Production | Andrew Mason | Executive Producer |
| Directing | Michael Rymer | Director |
| Costume & Make-Up | Angus Strathie | Costume Design |
| Production | Kristy Carlson | Casting |
| Production | Gregory Apps | Casting |
| Camera | Rob Hansford | Key Grip |
| Art | Tim McGaw | Props |
| Art | Michael Bell | Set Designer |
| Art | Joe Kiely | Set Dresser |
| Sound | Eileen Horta | ADR & Dubbing |
| Crew | Neil Greenberg | Visual Effects Editor |
| Costume & Make-Up | Kylie O'Toole | Makeup Artist |
| Costume & Make-Up | Eliza Godman | Costume Supervisor |
| Sound | Eric Thompson | ADR Mixer |
| Crew | Andrew MacDonald | Compositor |
| Crew | Patrick Ballin | Visual Effects Editor |
| Crew | Aaron Cox | Special Effects Technician |
| Crew | Cameron Morley | Video Assist Operator |
| Costume & Make-Up | Elka Wardega | Prosthetic Makeup Artist |
| Art | Damien Drew | Assistant Art Director |
| Sound | Marshall Winn | Dialogue Editor |
| Sound | Gary Mundheim | Sound Effects Editor |
| Sound | Aaron D. Weisblatt | Sound Effects Editor |
| Sound | Robert Carr | Sound Recordist |
| Costume & Make-Up | Nikki Gooley | Makeup Supervisor |
| Visual Effects | Darin Hilton | Animation |
| Visual Effects | Joni Jacobson | Digital Compositor |
| Visual Effects | Kirsten Fazio | Visual Effects Coordinator |
| Visual Effects | Sophie Leclerc | Visual Effects Producer |
| Visual Effects | Sara Henschke | Visual Effects Producer |
| Art | Brian Dusting | Set Decoration |
| Camera | Leo Baker | Second Assistant Camera |
| Camera | Jim Sheldon | Still Photographer |
| Crew | Jack Schuster | Post Production Supervisor |
| Sound | Terry Rodman | Sound Re-Recording Mixer |
| Crew | Walter Van Veenendaal | Special Effects Technician |
| Camera | Kurt E. Soderling | Aerial Director of Photography |
| Camera | Steven J. Winslow | Camera Technician |
| Art | Kirstine Wallis | Sculptor |
| Art | Peter Savieri | Storyboard Artist |
| Sound | Jay Nierenberg | Sound Effects Editor |
| Visual Effects | Don Greenberg | Digital Compositor |
| Visual Effects | Don Lee | Digital Compositor |
| Crew | Patrick Carmiggelt | Special Effects Technician |
| Crew | Pauline Grebert | Special Effects Technician |
| Lighting | Anthony Tulloch | Assistant Chief Lighting Technician |
| Production | Sue MacKay | Production Manager |
| Production | Terry Leonard | Casting Assistant |
| Sound | Chris Navarro | ADR Recordist |
| Sound | Shawn Kennelly | Foley Mixer |
| Sound | Tim Walston | Sound Designer |
| Visual Effects | Kelly Bumbarger | Digital Compositor |
| Visual Effects | Matt Dessero | Digital Compositor |
| Visual Effects | Bob Wiatr | Digital Compositor |
| Visual Effects | Gregory L. McMurry | Visual Effects Supervisor |
| Camera | John Radel | Assistant Camera |
| Camera | Angelo Sartore | First Assistant Camera |
| Camera | Ian Jones | Second Unit Director of Photography |
| Costume & Make-Up | Jane Summers-Eve | Costumer |
| Sound | Cathie Speakman | Sound Editor |
| Visual Effects | Jaime Norman | Visual Effects Coordinator |
| Visual Effects | Melissa Brockman | Visual Effects Producer |
| Art | Peter Hordern | Head Greensman |
| Art | Marian Murray | Lead Set Dresser |
| Sound | Philip Rogers | ADR Recordist |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | Andy Peach | Sound Recordist |
| Sound | Brian Best | Supervising Sound Editor |
| Crew | John Decker | CG Supervisor |
| Visual Effects | Chris Crowell | Digital Compositor |
| Crew | John Sanderson | Special Effects Assistant |
| Costume & Make-Up | Simon Zanker | Key Hair Stylist |
| Art | Hannah Knowlton | Assistant Property Master |
| Art | Michael Hill | Head Carpenter |
| Art | Jan Edwards | Property Master |
| Sound | Julie Pearce | ADR Recordist |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Terry Rodman | Supervising Sound Editor |
| Visual Effects | Marcus LeVere | 3D Artist |
| Visual Effects | William Gammon | Digital Compositor |
| Visual Effects | Denise Davis | Visual Effects Producer |
| Visual Effects | Amy Hollywood Wixson | Visual Effects Producer |
| Crew | Angelo Sahin | Special Effects Technician |
| Costume & Make-Up | Kelly Foreman | Costume Assistant |
| Costume & Make-Up | Julie Barton | Key Costumer |
| Sound | Bradley Clouse | Assistant Sound Editor |
| Sound | Bernard Weiser | Sound Editor |
| Visual Effects | Ken Dackermann | Digital Compositor |
| Visual Effects | Kate McCarthy | Visual Effects Coordinator |
| Visual Effects | Lindsay Hallett | Visual Effects Producer |
| Costume & Make-Up | Nikki Gooley | Hair Designer |
| Art | Paula Whiteway | Set Designer |
| Sound | Nancy Tracy | Assistant Sound Editor |
| Sound | Mildred Iatrou | Dialogue Editor |
| Visual Effects | Andy Davis | Digital Compositor |
| Visual Effects | Ben Roberts | Digital Compositor |
| Crew | James Howe | Special Effects Technician |
| Art | Graham 'Grace' Walker | Production Design |
| Camera | Rex Nicholson | Second Unit Director of Photography |
| Art | John Rann | Construction Manager |
| Visual Effects | Jeff Zaman | Digital Compositor |
| Visual Effects | Kenneth Nakada | Matte Painter |
| Visual Effects | Andrea D'Amico | Visual Effects Producer |
| Visual Effects | Tony Clark | Visual Effects Supervisor |
| Crew | Rodney Burke | Special Effects Coordinator |
| Visual Effects | Brian Cox | Special Effects Supervisor |
| Crew | Greg Dennison | Special Effects Technician |
| Crew | Rob Heggie | Special Effects Technician |
| Camera | Tov Belling | First Assistant Camera |
| Costume & Make-Up | Shane Thomas | Makeup Artist |
| Art | Rolland Pike | Set Dresser |
| Sound | William Cawley | First Assistant Sound Editor |
| Sound | Joe Divitale | Sound Effects Editor |
| Visual Effects | Deak Ferrand | Visual Effects Designer |
| Visual Effects | A.J. Calomay | Visual Effects Production Assistant |
| Visual Effects | Bryan Hirota | Visual Effects Supervisor |
| Crew | Kevin Turner | Special Effects Technician |
| Art | Tom Nursey | Art Direction |
| Camera | Chris Hansford | Best Boy Grip |
| Camera | Glenn Arrowsmith | Dolly Grip |
| Directing | Colin Fletcher | First Assistant Director |
| Art | Fiona Donovan | Set Designer |
| Sound | Michael McNerney | ADR Recordist |
| Sound | Patrick Cicero | Sound Assistant |
| Visual Effects | Geoffrey Hall | Animation |
| Visual Effects | Janet L. Earl | Visual Effects Coordinator |
| Camera | Leigh Mackenzie | Camera Operator |
| Camera | Matt Toll | First Assistant Camera |
| Art | Kylie Lawson | Painter |
| Sound | David Lee | Production Sound Mixer |
| Crew | Tommy Dorsett | Visual Effects Editor |
| Visual Effects | Gray Marshall | Visual Effects Supervisor |
| Crew | Gillian Farrow | Special Effects Technician |
| Sound | Chris David | Sound Re-Recording Mixer |
| Sound | Steve Nelson | Sound Effects Editor |
| Writing | Anne Rice | Novel |
| Crew | Victoria Mielewska | Dialect Coach |
| Sound | Jonathan Davis | Music |
