Het loopt tegen het einde van de Tweede Wereldoorlog. De Duitsers hebben het grootste deel van Frankrijk verloren en de geallieerde troepen besluiten hen de beslissende slag toe te dienen. Het plan is duizenden soldaten te droppen achter de linies in Nederland en daar een paar sleutelposten vast te houden, tot er versterking aankomt. De belangrijkste post is de brug bij Arnhem; wanneer deze is veroverd, ligt de route naar het westen van Duitsland open.
Nee, helaas is Een Brug te Ver nog niet beschikbaar op Netflix in Nederland.
| Production | Richard P. Levine | Producer |
| Camera | Geoffrey Unsworth | Director of Photography |
| Art | Terence Marsh | Production Design |
| Directing | Richard Attenborough | Director |
| Production | Miriam Brickman | Casting |
| Writing | Cornelius Ryan | Novel |
| Sound | John Addison | Original Music Composer |
| Editing | Antony Gibbs | Editor |
| Writing | William Goldman | Screenplay |
| Production | Joseph E. Levine | Producer |
| Production | John Palmer | Associate Producer |
| Sound | Les Wiggins | Sound Editor |
| Costume & Make-Up | Anthony Mendleson | Costume Design |
| Art | Alan Tomkins | Art Direction |
| Sound | Peter Horrocks | Sound Editor |
| Art | Stuart Craig | Art Direction |
| Art | Roy Stannard | Art Direction |
| Sound | Simon Kaye | Sound Recordist |
| Production | Terence A. Clegg | Production Manager |
| Directing | David Tomblin | First Assistant Director |
| Visual Effects | John Richardson | Special Effects Supervisor |
| Art | Peter Howitt | Set Dresser |
| Art | Peter Dukelow | Construction Manager |
| Costume & Make-Up | Tom Smith | Makeup Supervisor |
| Crew | Alf Joint | Stunt Coordinator |
| Art | Jack Towns | Property Master |
| Directing | Steve Lanning | Assistant Director |
| Directing | Roy Button | Assistant Director |
| Directing | Peter Waller | Assistant Director |
| Directing | Geoffrey Ryan | Assistant Director |
| Costume & Make-Up | Ronnie Cogan | Hairdresser |
| Camera | John Campbell | Assistant Camera |
| Camera | Steve Barron | Clapper Loader |
| Camera | Frank Batt | Grip |
| Directing | Connie Willis | Continuity |
| Camera | Robin Browne | Aerial Director of Photography |
| Production | Norton Knatchbull | Location Manager |
| Production | Arthur Tarry | Production Accountant |
| Production | Grania O'Shannon | Unit Manager |
| Production | Loretta Ordewer | Production Assistant |
| Production | Sheila Collins | Production Assistant |
| Crew | Bill Aylmore | Armorer |
| Crew | Wally Veevers | Special Effects |
| Sound | David Stephenson | Boom Operator |
| Sound | Gerry Humphreys | Sound Mixer |
| Sound | Robin O'Donoghue | Sound Mixer |
| Sound | Brian Mann | Assistant Sound Editor |
| Lighting | Nobby Clark | Rigging Supervisor |
| Directing | Sidney Hayers | Second Unit Director |
| Production | Gabriel Katzka | Production Consultant |
| Production | Eric Rattray | Production Supervisor |
| Production | Michael Stanley-Evans | Co-Producer |
| Crew | Vic Armstrong | Stunt Double |
| Camera | Peter MacDonald | Camera Operator |
